A story, I see, is not a life. A story must follow a line; the telling must begin and end. A life, on the contrary, would be impossible to fix in time, for it does not begin within itself, and it does not end.
-Wendell Berry, A World Lost, 149.
Commonplace-book. Formerly Book of common places. orig. A book in which ‘commonplaces’ or passages important for reference were collected, usually under general heads; hence, a book in which one records passages or matters to be especially remembered or referred to, with or without arrangement. First usage recorded: 1578. - OED
Thursday, February 26, 2009
Pigs is Pigs
A peasant who merely says, “I have five pigs; if I kill one I shall have four pigs,” is thinking in an extremely simple and elementary way; but he is thinking as clearly and correctly as Aristotle or Euclid. But suppose he reads or half-reads newspapers and books of popular science. Suppose he starts to call one pig the Land and another pig Capital and a third pig Exports, and finally brings out the result that the more pigs he kills the more he possesses; or that every sow that litters decreases the number of pigs in the world. He has learnt economic terminology, merely as a means of becoming entangled in economic fallacy. It is a fallacy he could never have fallen into while he was grounded in the divine dogma that Pigs is Pigs.
-G. K. Chesterton, "Logic and Lawn Tennis"
-G. K. Chesterton, "Logic and Lawn Tennis"
Monday, February 23, 2009
Memories
My memories of Uncle Andrew are thus an accumulation of little pictures and episodes, isolated from one another, unbegun and unended. They are vividly colored, clear in outline, and spare, as if they belong to an early age of the world when there were not too many details. Each is like the illuminated capital of a page I cannot read, for in my memory there is no tissue of connection or interpretation. As a child, I either was interested or I was not; I either understood or I did not. Mostly, even when I was interested, I did not understand. I had perhaps no inclination to explain my elders to myself...Perhaps it was from thinking about [Uncle Andrew] after his death, discovering how much I remembered and how little I knew, that I learned that all human stories in this world contain many lost or unwritten or unreadable pages and that the truth about us, though it must exist, though it must lie all around us everyday, is mostly hidden from us, like birds’ nests in the woods.
-Wendell Berry, A World Lost, 61-62.
-Wendell Berry, A World Lost, 61-62.
Wednesday, February 18, 2009
Weird Noises
This island is always full of weird noises...There’s been times I’ve woken up in the middle of the night when there wasn’t a breath of air stirring and could have sworn I heard fiddles or somebody plucking on a harp or God only knows what. But I’m used to it.
-Frederick Buechner, The Storm, 182.
-Frederick Buechner, The Storm, 182.
Tuesday, February 17, 2009
Wild Strawberries
Are Wild Strawberries really wild? Will they scratch an adult, will they snap at a child?
-Shel Silverstein, A Light in the Attic, 66.
-Shel Silverstein, A Light in the Attic, 66.
Monday, February 16, 2009
Whether Thou Readest or Writest
Whether thou readest or writest, whether thou watchest or sleepest, let the voice of love [to Christ] sound in thine ears; let this trumpet stir up thy soul: being overpowered with this love, seek Him on thy bed whom thy soul desireth and longeth for.
-Saint Jerome, quoted by my brother on my answering machine
-Saint Jerome, quoted by my brother on my answering machine
Saturday, February 14, 2009
Both, Both, My Girl
Both, both, my girl: By foul play, as thou say’st, were we heaved thence, But blessedly holp hither.
-William Shakespeare,The Tempest, Act 1, Scene 2.
He had first appeared in print when, to his surprise, The New Yorker accepted one of his stories while he was still in his twenties and then maybe five or six others over the next few years. They were ironic, graceful little glimpses of people falling in and out of love in Manhattan, where he had often fallen in and out of love himself, and their style was spare, translucent, wistful. Eventually a collection of them was published under the title Both, Both, My Girl, from Prospero’s answer to Miranda when she asks him if it was by blessed means or foul that they were washed up on their enchanted island. “Both, both is what all those stories are about,” he told his wife at the time. “It is also the story of my life.”
-Frederick Buechner,The Storm, 4.
-William Shakespeare,The Tempest, Act 1, Scene 2.
He had first appeared in print when, to his surprise, The New Yorker accepted one of his stories while he was still in his twenties and then maybe five or six others over the next few years. They were ironic, graceful little glimpses of people falling in and out of love in Manhattan, where he had often fallen in and out of love himself, and their style was spare, translucent, wistful. Eventually a collection of them was published under the title Both, Both, My Girl, from Prospero’s answer to Miranda when she asks him if it was by blessed means or foul that they were washed up on their enchanted island. “Both, both is what all those stories are about,” he told his wife at the time. “It is also the story of my life.”
-Frederick Buechner,The Storm, 4.
Imagination
The trouble is I have always been able to imagine almost anything. It has been my downfall.
-Frederick Buechner, The Storm, 4.
-Frederick Buechner, The Storm, 4.
Friday, February 13, 2009
Dear commonplacers: I'm experimenting with a new blog format over at tumblr. Stop by and let me know what you think!
Domesticated Despair
At its best our age is an age of searchers and discoverers, and at its worst, an age that has domesticated despair and learned to live with it happily.
-Flannery O'Connor, “Novelist and Believer,” The Christian Imagination, 162.
-Flannery O'Connor, “Novelist and Believer,” The Christian Imagination, 162.
Wednesday, February 11, 2009
Thursday, February 5, 2009
Settling for Less
The great sin of most of the stories of popular culture—in film, television, novels, and the like—is not that they are violent or obscene or godless, but that they waste our time. Since I can hear only so many stories in my life, why settle for anything less than the best ones?
-Daniel Taylor, "In Praise of Stories," The Christian Imagination, ed. Leland Ryken, 417.
-Daniel Taylor, "In Praise of Stories," The Christian Imagination, ed. Leland Ryken, 417.
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